I started filming four years ago with horrible work and a stubborn mindset to never give up. No investors, no savings, and barely any time. Balancing a full-time career, deployments, time in the field, and the obsession of learning a craft from scratch.
Being a marine didn't make me a filmmaker, but it taught me that you can do anything if you're willing to apply yourself. I was delusional enough to believe that before I was good enough to prove it. Now when I create something I can watch it a million times. That's how I know.
I don't do this just for the money. I do this because I'm in love with creating, invoking emotion, turning nothing into something timeless and beautiful, and being able to share it with the world no matter how many people are watching.
Built before the camera ever rolls.
Every project starts on paper. Location scouted, story mapped, shooting purposefully and without waste. Then filmed in S-Log 3 for maximum dynamic range, upscaled to 6K, and hand-graded with a custom node structure built for emotion, not presets. Delivered in any format your screen demands.
"I've seen a lot of moto content but nothing compared to what Jesse delivered. The color, the angles — cinematic doesn't even cover it."
"Jesse and Abby made us look movie-like, in the best way. Every shot had this cinematic quality we just weren't expecting."
"The commercial they produced looked like something a Fortune 500 company would put out. Completely exceeded expectations."
"He literally made a movie. So tuff."
"That sh*t got me so hyped — I've rewatched it at least 15 times."
Fill out the form. We'll reply within 48 hours.